Posted inFilm

Almanac of Fall

In his first three films Bela Tarr–conceivably the most important Eastern European filmmaker currently working–betrays an impatience with cinematic style, focusing almost exclusively on content, but that tendency was radically overturned with this 1984 feature, whose taste and intelligence are specifically (and exquisitely) cinematic and revealed Tarr as a master stylist. Set entirely in an […]