Posted inTheater Review

A swing and a miss

As the single most-produced contemporary playwright in the Goodman Theater’s history, Rebecca Gilman has provided audiences with some truly perceptive, unflinching depictions of life’s varied brutalities. 1999’s Spinning Into Butter took on racism at a small, supposedly progressive liberal arts college. Fourteen years before #MeToo, Boy Gets Girl stunned with its take on the nightmarish […]