Despite all the beautiful water, sun, and half-naked bodies, what I was left with as the credits rolled was a mere trace memory of stylish vacuity.
Tag: Cannes film festival
Ten favorites from the Cannes Film Festival 2021
This year’s selection included everything from a highly anticipated rock opera to compelling documentaries to an award-winning film featuring a character who lactates motor oil.
An outsider on the inside of Cannes
Walking the red carpet, breaking VIP barriers, and searching for Bill Murray
In Shoplifters, the sharpest insights are blurred by sentimentality
Hirokazu Kore-eda’s film about an impoverished makeshift family won the Palme d’Or at the 2018 Cannes Film Festival.
How Filip Rymsza finally finished Orson Welles’s The Other Side of the Wind
A tale of a novice producer and a legendary film that no one ever thought would ever play in theaters.
BlacKkKlansman retells the true story of a black cop who joined his local Klan chapter
Spike Lee’s latest is set in 1970, but it’s all about 2018.
Free will is a bitch in Claude Sautet’s Les Choses de la Vie
Michel Piccoli stars as an emotionally conflicted man rescued from choosing by an awful car crash.
Okja is a big-screen fantasy you won’t see on the big screen
Bong Joon-ho, creator of The Host and Snowpiercer, bypasses theatrical exhibition for Netflix.
American Honey is an exercise in radical subjectivity
British director Andrea Arnold challenges viewers to hit the road with a gang of runaway kids.
In Chronic, a private nurse gets a little too private
Tim Roth stars in this haunting drama from the director of Daniel & Ana.
Jacques Audiard’s movies are the kind Hollywood should make
The director’s Palme d’Or-winning Dheepan is yet another film that challenges the conventions of both art-house and mainstream cinema.
Experience Cannes vicariously by reading Roger Ebert’s journal
University of Chicago Press reprints the film critic’s account of the 1987 edition of the festival.
Mom’s the word in Xavier Dolan’s Tom at the Farm
The Quebecois filmmaker takes another look at maternity in this 2013 drama, finally receiving a limited U.S. release.
Manuscripts Don’t Burn takes us inside the Iranian police state
Mohammad Rasoulof directed the uncompromising Iranian drama Manuscripts Don’t Burn—which may be his last.
Blood Ties and Gambit: Two genre films for the grown-ups
Blood Ties and Gambit: two genre films from the “disappearing middle” of American cinema