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Italian composer Caterina Barbieri casts a retrofuturistic aura on Ecstatic Computation

The cover of Caterina Barbieri’s 2019 album Ecstatic Computation (Editions Mego) is composed of two eyes digitally layered over a photo of grayish fog. Its retrofuturistic aura is an apt representation of the Italian composer’s music and what she strives to accomplish through it. Drawing largely upon the works of German musicians such as Klaus […]