Charlique Rolle knows what it takes to keep a strong vision going in challenging times. The executive director of Congo Square Theatre Company came into that role in the summer of 2020, when nobody even knew when it would be safe to return to live performance. Rolle worked with artistic director Ericka Ratcliff and the […]
Tag: Charles Newell
The Gospel at Colonus gets a rousing revival at Court
Lee Breuer’s 1983 reimagining of Sophocles’s Oedipus at Colonus as a Black Pentecostal church service (featuring music by Bob Telson) didn’t make it to Chicago until 1990. But that local premiere at the old Goodman Theatre (where the Art Institute’s modern wing now stands), featuring the Five Blind Boys of Alabama and “Pops” Staples, among […]
Tonys, tech awards, and terpsichore
Lots of behind-the-scenes news in Chicago theater, and some well-deserved plaudits to note as well this week! At the Tony Awards this past Sunday, longtime Chicago sound designer and composer Mikhail Fiksel took home the top prize for his work on Lucas Hnath’s drama Dana H., which ran locally at the Goodman in fall of […]
The Studebaker gets ready to roll
Last August, I caught up with Jacob Harvey just as he was taking over as the new (and first-ever) managing artistic director of theaters for the Fine Arts Building. At the time, he noted that with the loss of the Royal George as a midsize rental house, the soon-to-be-remodeled Studebaker Theater in the Fine Arts […]
Less is Moor in Court Theatre’s stripped-down Othello
Othello is usually viewed as “Shakespeare’s Race Play” and somewhat rightfully so—after all, the Bard almost never wrote Black characters. In our society race overshadows everything, so much so that much discourse around Othello tends to obstinately revolve around whether or not the play is “racist”—as if an inanimate object were able to take offense […]
Moving through the violence in Othello
A year and a half after the stage went dark, Court Theatre presents its first live performance since the world was plagued with pandemic and the country with civil unrest. The chosen play is Shakespeare’s The Tragedy of Othello, The Moor of Venice, which places racial discrimination, misogyny, toxic masculinity, and all the ills not […]
An Iliad returns in a stunning new setting
Court Theatre’s revival puts us in the center of ancient artifacts and contemporary conundrums.
Oedipus Rex leaves nothing in the shadows
Sophocles’s tragedy could use some emotional veils in Court Theatre’s staging.
Court Theatre’s adaptation of The Adventures of Augie March joyfully embraces every moment
The men may kick and scream, but it’s the women who lead.
All My Sons joins the pantheon of Court Theatre’s great tragedies
It’s time to place Arthur Miller at the forefront of American drama.
Court Theatre’s The Hard Problem sets up a straw man
Tom Stoppard’s latest draws blood with a timely portrayal of for-profit scientific research.
Court Theatre concludes its House of Atreus trilogy with a Hamlet-like Electra
Sandra Marquez and Kate Fry are darkly fascinating as Sophocles’s murderous queen and her obsessed daughter.
An extraordinary life inspires an extraordinary performance at Court Theatre
Man in the Ring takes a swing at the saga of gay boxer Emile Griffith.
Louis Armstrong takes a complex solo in Court Theatre’s Satchmo at the Waldorf
Louis Armstrong takes a complex solo in Court Theatre’s Satchmo at the Waldorf
Court Theatre’s The Secret Garden suggests you get over yourself
A musical with good advice