Posted inTheater Review

An emotional willkommen

Like many of the American musical theater greats, Cabaret is one of those shows that can suffer from style-creep, wherein an unwritten but generally agreed-upon aesthetic tradition grows into self-parody. For John Kander and Fred Ebb’s legendary pre-WWII Berlin-set romantic drama (based on the 1951 play I Am a Camera by John Van Druten and […]