Michel Piccoli stars as an emotionally conflicted man rescued from choosing by an awful car crash.
The second in a three-part series on the year’s best repertory screenings
Revisiting the French filmmaker’s not-quite farce from 1972
Revisiting the 1976 drama Mado in light of the current release of Sautet’s Max et les Ferrailleurs (1971)
Reconsidering the work of Louis Malle and Claude Sautet in light of recent Chicago revivals
Previewing notable film screenings in Chicago from January 11-17
Claude Sautet flips the script on cop movies in Max et les Ferrailleurs
New reviews and notable screenings in this week’s issue