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Chicago band the Knees balance postpunk precision and shoegaze warmth on their debut EP

Chicago postpunk four-piece the Knees dropped their first single, “Round and Round,” three years ago; on the A side the band balance a terse, tightly wound melody with a smidgen of garage feedback, while the entropic B side, “Distribution,” displays their fondness for noise. Since then, the Knees have released new music at a trickle. […]