Thoughts on Portugal’s greatest filmmaker, who died last week at 106
Darren Aronofsky’s Noah is immersed in Judaic literature.
Previewing Saturday night’s midnight screening of The Cannibals (1988)
Thinking about movies where everyone speaks the same way in light of David Cronenberg’s faithful Don DeLillo adaptation
Portuguese filmmaker Manoel de Oliveira is the subject of a Film Center retrospective and a new Film Comment essay by Jonathan Rosenbaum.