Though it premiered in 1981 with the Negro Ensemble Company, won the 1982 Pulitzer Prize for drama, and was subsequently turned into the well-received 1984 film A Soldier’s Story, Charles Fuller’s A Soldier’s Play didn’t get a Broadway production until nearly 40 years after it first appeared. Fuller, who died in October 2022 at 83, […]
Tag: Drama
Too soon?
It feels early to stage a play set during, and concerning the effects of, the early days of COVID-19 on its characters. We can still feel those days intimately, given the short passing of time, and the degree of veracity required to make this a world we want to and can meaningfully revisit is high. […]
Cultural storms
A production with a promising premise is especially disappointing when it falls short. Unfortunately, that’s the case with Uprising Theater’s Decolonizing Sarah: A Hurricane Play. Amidst the chaos of a category three hurricane and the COVID-19 pandemic, exes Waleed (Kal Naga) and Sarah (Maren Rosenberg) find themselves isolated in an Airbnb. Sarah, a white woman, […]
A perfect nightmare
Like the people in the allegorical Tower of Babel, the citizens of Jacqueline Goldfinger’s futuristic Babel are seeking oneness. The kind of oneness that mankind has never reasonably come close to, because each person is born with a set of characteristics, skills, and behaviors—unless we engage in eugenics. In an eerily not-so-distant-seeming future, Goldfinger’s world […]
The pain of history
I cannot recommend this play without caveats. At least to Black people. Now, don’t get me wrong, it’s not a bad play. As a matter of fact, it’s a very good play. It’s clever, well-written, timely, and it makes good use of unusual devices. The quality of the play is not the problem. The problem […]
Beckettian summit
Dame Peggy Ashcroft considered the role of Winnie in Samuel Beckett’s notoriously difficult Happy Days a “summit part,” one of those roles, like Hamlet or King Lear, that tests an actor’s mettle and proves her alpha status in the pack. (Ashcroft played Winnie in a 1975 production at the Old Vic Theatre in London.) Chicago […]
Woven tales
Hajja Souad’s story, eight decades of life lived, is woven into a narrative of resilience, hope, and the changing tides in Palestine during her long lifetime. Brought to life in the U.S. premiere of The Shroud Maker at Chicago Dramatists by International Voices Project in collaboration with Intercultural Music, Ahmed Masoud’s play about a burial […]
Loss and joy
“The shit we deal with in Baghdad, it doesn’t exist in America,” declares Sahir early in Martin Yousif Zebari’s Layalina, now in a world premiere at the Goodman under Sivan Battat’s direction. The newly minted Assyrian bridegroom is both right and wrong. The devastation of “shock and awe” bombing by American forces (followed by a […]
The lies of others
I’m just going to get the obvious adjective out of the way right now: Rajiv Joseph’s Describe the Night, now in its local premiere at Steppenwolf under Austin Pendleton’s direction, is definitely Stoppardian. As in much of Tom Stoppard’s work, the story spans decades—1920-2010, to be precise. And also as in Stoppard, an object (in […]
Listen to Women Talking
Women Talking asks if you’ll listen. There is, of course, an argument to be made that Sarah Polley’s adaptation of Miriam Toews’s critically acclaimed novel is meant to be more seen than heard. After all, the material has been taken from the page and repurposed for the screen. And while it’s understood that any great […]
Glass Onion: A Knives Out Mystery
Glass Onion introduces us to the eclectic cast of characters with a puzzling invitation. And I mean that literally.
A big-hearted Little Women
First Folio Theatre planned to produce the world premiere of Heather Chrisler’s adaptation of Little Women back in spring of 2020, but COVID took that production out just as surely as scarlet fever ended Beth March. (Calm down: the book is over 150 years old, so spoiler alerts don’t apply.) Though of course one never […]
Bardo: False Chronicle of a Handful of Truths
As long as you don’t think too long about some of the implications of what flashes past your eyeballs, this is a film to be dazzled by and lost in.