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Cabin in the woods

In Cat McKay’s queer comedy Plaid as Hell, Cass (Reagan James) hopes that a weekend away in the Wisconsin woods will be a fitting opportunity for her best friend Emilie (Cayla Jones) to bond with her new girlfriend Jessica (Ashley Yates)—who Emilie hasn’t been so keen on getting to know, thanks to an unrequited crush […]

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Southern secrets and lies

Sarah Sapperstein’s Maggie the Cat commands your attention with her act one monologues in MadKap Productions’s mounting of Tennessee Williams’s Cat on a Hot Tin Roof at Skokie Theatre, directed by Steve Scott. Sapperstein’s costars take her energy and roll with it for the entirety of this show, in which a southern family unravels (and […]

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Riot grrrl witch hunt

The surrealist, sometimes anarchic style of British playwright Caryl Churchill’s prose invites a lot of directorial interpretation and creativity from the theater artists who’ve been drawn to her mesmerizing work for the better half of a century. And yet, I don’t think I’ve witnessed a more seamless marriage of her words and a thematic overlay […]

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You say you want a revolution?

When it comes to bold and audacious stagings of Measure for Measure (for my money, the most unpleasant of Shakespeare’s “problem plays”), it’s hard to top Robert Falls’s dark take-no-prisoners 2013 production at the Goodman, which reimagined Vienna as Times Square, circa the late 1970s. (Think David Simon’s The Deuce on HBO.) But Henry Godinez’s […]

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Forced dialogues

American Son by Christopher Demos-Brown and directed by Tim Rhoze, now playing at the Fleetwood-Jourdain Theatre in the Noyes Cultural Arts Center in Evanston, opens with a quote from Ta-Nehisi Coates that “race is the child of racism, not the father.” The quote carries a powerful truth that encourages the audience to dwell on deeper […]

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Villainy and vindication

Every superhero saga needs a villain, and Mark Pracht’s new play The Mark of Kane—an origin story for the comic-book character Batman—provides one in the figure of Bob Kane. In Pracht’s account, Kane was an ambitious freelance illustrator who, in 1939, came up with the concept of a crime-fighting vigilante who could fly with the […]

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Miami death trip

Teenagers tend to be reckless, sure, but few would gather in a spooky tree house to summon the spirit of Colombian drug cartel leader Pablo Escobar. But then, most aren’t as hardcore—or foolhardy—as the members of the Dead Leaders Club, a group of private school girls in Miami who dabble with supernatural forces in Our […]

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Medicine show

It’s hard to write a play whose hero is the American Medical Association (AMA), even as embodied by crusading Dr. Morris Fishbein (the appealing Andrew Bosworth) and his equally earnest sidekick (Shawn Smith, without enough to do). The AMA’s erstwhile role as the scourge of quack medicine has been eclipsed by its more recent history […]

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Seeking sanctuary in Routes

Nearly a decade after it debuted at the Royal Court Theatre in 2013, Rachel De-lahay’s Routes has landed at Theater Wit for its American premiere. Presented by Remy Bumppo, Routes is a story of progressively intertwined, mirrored vignettes of two characters and the handful of people who will determine their respective fates. Olufemi (Yao Dogbe) […]

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Adulting and its discontents

Though it’s called The Cleanup, Hallie Palladino’s new play, now in a world premiere with Prop Thtr under Jen Poulin’s direction, is all about messiness in the aftermath of the COVID-19 shutdown. Set at a nursery school co-op established by dedicated community mom Julie (Lynnette Li), the play traces the fallout when two of the […]

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Unearthing raw passions

Sam Shepard’s Pulitzer Prize-winning drama about a rural Illinois family beset by delusion and dysfunction is brilliantly brought to life by AstonRep Theatre Company.   Alcoholic patriarch Dodge (Jim Morley, who brought to mind Richard Widmark in a stellar performance) is permanently ensconced on the living room couch yelling to his wife, Halie (Liz Cloud). Few […]

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Democracy under siege

Invictus Theatre Company delivers a solid, sometimes stirring, and strikingly relevant rendition of William Shakespeare’s 1599 tragedy. It’s the story of Marcus Brutus (played by Invictus artistic director Charles Askenaizer, who also directed), a well-intentioned aristocrat in the waning days of the ancient Roman Republic, who joins a plot by his fellow senators to assassinate […]

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Luminous storytelling

Siena Marilyn Ledger’s brand-new two-person play, being produced here with 16th Street Theater and Dragonfly Theatre as part of the National New Play Network rolling world premiere program, is based on a deceptively simple premise. Luna, a quirky and precocious tween whose mother is undergoing cancer treatment, befriends Aaron, another cancer patient, also in the […]

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Murder, she wrote

Women love true-crime stories—so much so that SNL spoofed the fascination a few years ago with a song about women relaxing alone at home watching their favorite “Murder Show.” Fans of the podcast My Favorite Murder (aka “Murderinos”) are overwhelmingly female. When you’re raised from an early age to think that rape and murder are […]