In his second feature, director Ari Aster shows he has a limited number of tricks up his sleeve.
The remake of the 1974 film remains a straightforward celebration of gun violence.
Using rape fantasies in “shock” music isn’t just gross, it’s profoundly boring.
A new course surveys the director’s career as his latest feature, Django Unchained, nears release
New releases and notable screenings in this week’s issue.