Star Creature Universal Vibrations starts 2020 with a bundle of boogie, Elastic Arts debuts a 16-channel overhead sound system, and more.
Tag: Enemy
My favorite films of 2014 (that premiered in Chicago)
Drew Hunt’s favorite films of 2014
More thoughts on Resnais, Breaking Bad, surrealism, and “surrealism”
Considering the influence of 20s and 30s surrealism on more recent film and television
Jason Soliday may have closed Enemy, but he’s still presenting great shows in the space
Long live Post-Enemy and Tritriangle
Interview: Noise artist Jason Soliday on the closing of Enemy
“I got to have Peter Brötzmann play at my house. I have Z’ev play at my house.”
The noise scene’s lost Enemy, a trumpeter’s growth spurt, and one schmaltzy goodbye
Good-bye to Baby Teeth and experimental-music venue Enemy, hello to young trumpeter Marquis Hill
Show us your . . . springboard
Each week, we ask you to show us something. This week it’s a springboard.
Sun rises, Steve Krakow announces several new projects
A new label, an upcoming mix tape, some vast quantity of musical projects, etc.
Soundboard: April 28-May 4
Recommended and notable shows, including Ghe20 Goth1k, David Grubbs, Hunx & His Punx, Femi Kuti & the Positive Force, Dead Milkmen, and more
Turntablist Ignaz Schick Explodes the Monkey in Chicago This Weekend
Friday and Saturday at Enemy, Ignaz Schick “plays” his turntable with debris and metal and improvises with everyone from free-jazz horn men to abstract noise wizards.
The List: February 17-22, 2011
Critics’ Choices and other notable shows: Chicago Symphony Orchestra featuring Leif Ove Andsnes, Beans, Dismemberment Plan, Motorhead and more.
The List: September 9-15, 2010
Critics’ Choices and other notable shows: No Age, Sleep, Oval, Ben Frost, High Places, Joshua Abrams, Thee Oh Sees, and more
The List: March 18-24, 2010
Critics’ Choices and other notable shows: Joe Lovano & Us Five, Young Jeezy, the Ex, Omar Pene, Golden Triangle, Gunslinger, and more
Lowercase Locals: Graham Stephenson and Dave Barnes
Two subtle and impressive exponents of electroacoustic improv emerge in Chicago.