Five extraordinary films about film, by five extraordinary filmmakers.
Tag: European Union Film Festival
More than 60 new features premiere locally at the European Union Film Festival
New films by Arnaud Desplechin (A Christmas Tale), Kornél Mundruczó (White God), Michel Hazanavicius (The Artist), and Wim Wenders (Buena Vista Social Club) light up the festival’s 21st edition.
After 20 years the European Union Film Festival is still going strong
More than 60 new features make their Chicago premieres at the festival’s 20th edition.
An ad man experiments with virtual reality, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Embrace of the Serpent slithers into town, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
European Union Film Festival kicks off Friday, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
The year’s best movie (so far), plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
David Cronenberg invades Hollywood, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Adam Carolla and some basement-dwelling sadomasochists are coming to theaters tomorrow
Carolla’s quasi-autobiographical comedy Road Hard gets its Chicago premiere at the same time as In the Basement, the latest provocation from Austrian director Ulrich Seidl.
The European Union Film Festival invades Chicago, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Two film festivals, two indie filmmakers, one discussion on filmmaking ethics
Independent filmmakers Carlos Jiménez Flores and Usama Alshaibi discuss depictions of race and ethnicity in popular media.
Chicago in the future, the underground in Chicago, and the rest of this week’s movies
Noting new and notable films screening in Chicago from 3/28 to 4/3
Pretty Butterflies reminds you not to judge a festival film by its title
Salvatore Mereu’s spirited portrait of Sardinia’s lower depths is not that pretty at all.
The Face of Love, the face of Wes Anderson, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue