Tijuana Hercules release a new batch of unhinged roadhouse shuffles, The Sick Muse publishes its first digital-only issue, and more.
Tag: Flying Lotus
Posted inMusic
Keeping the beat
Chicago’s beat scene has to do without the attention the city’s rappers get, but it’s a vital incubator for adventurous, ambitious instrumental hip-hop.
Posted inMusic
Jazz returns to Pitchfork
Kamasi Washington and the Sun Ra Arkestra bring jazz to Pitchfork for the first time since 2007.
Posted inBlogs
Listen to a track featuring Flying Lotus, Thundercat, Shabazz Palaces, and George Clinton
The first single from supergroup Woke is today’s 12 O’Clock Track.
Posted inBlogs
If you’re going to Flying Lotus on Friday, get there early to see Thundercat
Today’s 12 O’Clock Track is “Oh Sheit It’s X” off of last year’s Apocalypse.
Posted inMusic
Wire’s gooey-sweet Change Becomes Us and 15 more record reviews
Reviews of 16 fresh releases from all over the map: Wire, Aosoth, Julia Kent, DJ Koze, Pedrito Martinez, Sax G, and lots more
Posted inMusic
Snacking on J Dilla’s Donuts
Four Chicago producers talk about J Dilla in light of the reissue of his masterpiece
Posted inBlogs
The untimely demise of cartoon rapper Captain Murphy
How LA producer Flying Lotus single-handedly created and destroyed one of the more interesting rappers to gain national attention this year
Posted inBlogs
Best shows to see: Home of Easy Credit, Flying Lotus, Holly Golightly & the Brokeoffs, Kids & Explosions
Early this week you can see Home of Easy Credit, Flying Lotus, Holly Golightly & the Brokeoffs, Kids & Explosions, and more
Posted inBlogs
Flying Lotus, a jug-band showdown, and jazz-metal fusion on the B Side
A forward-looking Artist on Artist, local band news, and a chance to see jug bands slug it out
Posted inFilm
Artist on Artist: Flying Lotus talks to Chrissy Murderbot
Flying Lotus talks to Chrissy Murderbot
Posted inBlogs
The best Frank Ocean bootleg remix of the day
Flying Lotus gives R&B-loving stoners a nice surprise
Posted inBlogs
Pitchfork: the festival in review
The good, the bad, and the disturbingly Freudian at the 2012 Pitchfork Music Festival