Posted inTheater Review

She sees you, white American theater

Alice Childress’s Trouble in Mind made its off-Broadway debut in 1955, but it never made the leap to the Great White Way (emphasis most definitely on “White”). The white producers demanded that Childress give her story about racism in the American theater a happier ending depicting racial harmony. (Pause for irony.) Childress refused at first, […]

Posted inTheater Review

Sinister spinsters

Jen Silverman’s The Moors is a brilliantly executed pastiche of everything from Wuthering Heights (the gloomy insalubrious environs of the title) to Rebecca, complete with a menacing parlor maid/scullery maid named either Marjory or Mallory, and suffering from either an unwanted pregnancy or typhus, depending on what room you catch her in. (Played to perfection […]