Spike Lee’s latest is set in 1970, but it’s all about 2018.
Tag: Harry Belafonte
History repeats itself over and over again at the African Diaspora Film Festival
The aftershocks of the slave trade echo from Benin to Hungary to Cuba to Cabrini Green.
12 O’Clock Track: Harry Belafonte’s song from the end of Beetlejuice
It’s called “Jump in the Line.”
Artist on Artist: Posdnuos of De La Soul talks to Rhymefest
Posdnuos of De La Soul talks to Chicago MC and activist Rhymefest
Edgar Allan Poe, Lucian Pintilie, and other keywords
New reviews and notable screenings in this week’s Reader
Noir City: Chicago
The weeklong film noir festival runs through August 6 at the Music Box.
When Nostalgia Works
Emilio Estevez’s sincere tribute to RFK is as galvanizing in its own way as Altman’s cynical Nashville.