Ann Noble’s play about an Irish family decompensating after the mother’s death had its premiere in Chicago nearly 30 years ago, and it’s showing its age. There are plots and subplots and Irish-lit tropes like a storytelling session apropos of nothing, but none of these achieves warp, or even tarantella, speed. As the dutiful daughter […]
First Folio Theatre planned to produce the world premiere of Heather Chrisler’s adaptation of Little Women back in spring of 2020, but COVID took that production out just as surely as scarlet fever ended Beth March. (Calm down: the book is over 150 years old, so spoiler alerts don’t apply.) Though of course one never […]
Playwright Joseph Zettelmaier has a history of taking largely forgotten, sometimes nameless characters and putting them in the dead center of the iconic tales they support. It’s a potentially grim business, digging up backstories (and futures) for (no)bodies the world only knows as incidental to someone else’s story. But anyone passingly familiar with the commercial/critical […]
Playwright Joseph Zettelmaier is a maker of monsters, a horror artist who retells classic tales with an emphasis on what makes these constructs human. First Folio Theatre, which has produced five of Zettelmaier’s plays in the past (including horror tales The Man-Beast, The Gravedigger, and Dr. Seward’s Dracula, along with two non-horror pieces, Salvage and […]
After a year of heartbreak, Heather Chrisler is back to acting, as well as writing and illustrating.
Douglas Post’s new adaptation for Remy Buppo resonates in our age of class unrest and digital disconnects.
Five women in small-town Wisconsin search for their places in the world.
Behold another exemplary production from A Red Orchid.
But playwright Yaël Farber’s ambition far outstrips what appears onstage.
“The greatest book musical of all time” and a Woyzeck for the jazz age are among this week’s best bets.