Chicago has debated Pass Over all summer, without getting to the merits of the play itself
Sun-Times critic Hedy Weiss has been dropped after 34 years on the job.
The choreographer celebrates ten years as artistic director of the dance company. What might the next decade have in store?
Steppenwolf Theatre’s new, official statement on Hedy Weiss: “Let’s talk.”
Just because you disagree with her criticism doesn’t make her a bigot.
A Writers Theatre revival doesn’t solve old problems with Eugene Lee’s play.
Haymarket’s published version of Steppenwolf’s This is Modern Art selectively excerpts some of the play’s reviews.
The Chicago theater community debates casting for Lin-Manuel Miranda and Quiara Alegría Hudes’s In the Heights.
The Hemosa-based musical theater company could have told a powerful story of Latinxs in America. Instead they cast a white actor as the storyteller.
For more than 20 years, actors and crew members stayed silent about mistreatment they suffered at the acclaimed storefront theater. Now they’re speaking up, hoping to protect workers in non-Equity theaters across the country.
Drama critics commit shameful blunder in reviewing Steppenwolf’s Grand Concourse.
No agreement among Chicago drama critics
If you read it closely, the Sun-Times critic’s review of Invasion! was a rave.
A different direction for WBEZ: one with more listener-generated content and fewer paid contributors