The death of the release date.
Tag: hip-hop
Hip-hop fundamentals: rhyming, DJing, grilling . . .
According a new book about hip-hop jewelry, it’s about the grillz
Nas is back, and he’s brought Iron Butterfly with him
Nas’s new track, “Hip Hop Is Dead,” makes kick-ass use of “In-A-Gadda-Da-Vida.”
Jay-Z is maxing out my hustle tolerance
Is “Show Me What You Got” just a launch commercial?
Pimp my ride
Jeep claims its new Wrangler Unlimited is the “original vehicle of hip-hop.”
Alexis Gideon
Somewhere between wacky and wack you’ll find Alexis Gideon, formerly just Alexis. Better known as half of the local duo Princess, who specialize in a ridiculous collision of fucky hip-hop and skinny-butt dance music, he’s putting out his first solo CD, Welcome Song, early next year on Sickroom, and it’s like a pilled-up, discolored kiddie […]
Akrobatik
Ambivalence has never been a trait identified with hip-hop, and listening to Akrobatik you can sometimes see why: an artist who takes time to stake out the middle ground can frustrate a listener who’s waiting for a wallop of personality. But more often than not on his debut full-length, Balance (Coup D’Etat), this Boston MC […]
8 Mile
This energetic and often exciting feature from Curtis Hanson (L.A. Confidential, Wonder Boys), set in Detroit in 1995, aims to be the kind of showcase for Eminem and hip-hop that Saturday Night Fever was for John Travolta and disco, and in most respects it succeeds. Hanson depicts a far grungier world, brimming with aggression and […]
Aceyalone, Masterminds
As a founding member of LA’s short-lived Freestyle Fellowship, one of hip-hop’s most original and intelligent groups, Aceyalone helped lay the groundwork for today’s anything-goes underground scene. His free-form rap slops over tight beat schemes like runny oatmeal, much in the style of Kool Keith; but unlike Kool Keith’s sci-fi fantasies, Aceyalone’s thoughts are rooted […]