Posted inTheater Review

Southern stories

I first saw Dr. Endesha Ida Mae Holland’s autobiographical From the Mississippi Delta over 30 years ago in the old Goodman studio theater space. Though it’s been revived many times since, I hadn’t seen it again until the current Lifeline and Pegasus Theatre Chicago coproduction at Lifeline. It’s a testament to Holland’s gift for dialogue […]

Posted inArts & Culture

The science of playwriting

Lucas Bigos was not a theater kid in high school—never in drama club, never in the school play. But something clicked his senior year at Lane Tech. That’s when he took a theater class at his high school to satisfy an elective requirement. A year later, the non-theater kid, currently a first-year student in computer […]

Posted inTheater Review

A cluttered Passage

Though it has some of Lifeline’s patented how-do-they-do-that effects, like a completely persuasive storm at sea achieved with nothing but video, some noise, and actors purporting to be blown around, Middle Passage is too cluttered to be satisfying. Rutherford Calhoun’s misadventures on the high seas include a captain mad enough to compete with Ahab, participation […]

Posted inArts & Culture

Decisions, demons, and doom

While many of us (perhaps too optimistically) planned to complete any number of creative projects over the course of pandemic isolation parts one, two, or—dare I say it—three, 300 Chicago-area high school students managed to write and submit one-act plays to Pegasus Theatre Chicago’s 35th Annual Young Playwrights Festival.  And three of those students—Laylah Freeman […]