An all-star cast of cameos is a balm for forced cheer.
Tag: Julianne Moore
Hollywood turns After the Wedding into something smooth, glossy, and bland
It makes you wonder why they even bothered.
Hellcab’s appeal remains just as mystifying now as it was in 1992
Despite the update to a female cabdriver, the script’s fundamental flaws remain unaddressed.
Todd Haynes’s first film for kids may also be his saddest movie yet
In Wonderstruck, wonder is a coping mechanism.
Life on Mars, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
At Reeling: The Chicago LGBTQ+ International Film Festival, adulthood is just an orgasm away
Two idiosyncratic coming-of-age movies premiere at this year’s festival.
In Maps to the Stars, Hollywood is a living hell
In David Cronenberg’s Maps to the Stars portrays the movie business as a nightmare of outsize egos.
The Other Place might offend disability crusaders, but its real flaw is contrivance
Profiles’ The Other Place might offend disability crusaders, but its real flaw is contrivance.
Spike Lee drinks Da Sweet Blood of Jesus, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
Julianne Moore might deserve an Oscar, but not for Still Alice
Considering the 54-year-old actress’s career in light of the bombastic campaign to win her an Academy Award
Jean-Luc Godard goes 3-D, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
A paramount picture from Paramount Pictures
The studio releases a posed shot of 116 important artists as part of its centennial celebration
Golden Globes: First Impressions
Best, worst, whatever—here’s what attracted attention.
Tom Ford’s Single Man
Fashion designer Tom Ford’s adaptation of Christopher Isherwood’s novel A Single Man, about a grieving gay professor during the Cuban missile crisis, screens Monday 10/19 in the Chicago International Film Festival.