This is an impeccable production of a play whose weaknesses outweigh its considerable strengths. It’s the 1960s episode of August Wilson’s Pittsburgh Cycle, tracing a century of life in the African American Hill District, and urban renewal shadows everything. (Jack Magaw’s set presents this vividly.) The diner where the play takes place is nearly empty […]
Of the two plays exploring race that Steppenwolf has on stage right now—King James and WHITE—the latter definitely stands out for being not only funnier, but more complex and satisfying in its critique of race, privilege, and power. Written by James Ijames and directed by Ericka Ratcliff, Definition Theatre’s production is a delightfully silly yet […]
Ron OJ Parson’s production for Court Theatre hits with torrential force.