Or, a collection of Quentin Tarantino’s favorite things about late-60s LA.
John Carpenter’s dystopian vision has become our present.
It’s hard to be a god in the sequel to the Marvel blockbuster.
A curious kind of double game is being played in Dark Blue, a cop thriller that sets out to “explain” the 1992 LA riots. For a good while I sat thinking, “At last—a movie that doesn’t mince words about police corruption and racism,” for even if it’s a decade late and a bit simplistic in […]