Mary Zimmerman’s adaptation of the Hans Christian Andersen fairy tale is moving and magical.
Tag: Lookingglass Theatre
Ensemble is the first gossip-free oral history of Chicago theater
Mark Larson explains how he created his 700-page behemoth.
Mary Shelley’s Frankenstein is a bombastic retelling of the original monster novel
This is the fourth adaptation this year, if you’re still keeping track.
Act(s) of God provides no justification for its existence
Actor Kareem Bandealy’s playwriting debut overreaches.
Here are 19 shows to get you into the holiday spirit
Christmas trains, elves, bingo, showgirls, and many, many carols, plus the Quranic perspective and Hanukkah goblins.
Goodbye to Tony Adler, the best weekly theater critic Chicago’s ever had
His retirement after 38 years will leave a void both at the Reader and in Chicago’s theater scene.
Chicago celebrates two centuries of Dr. Frankenstein and his monster
Frankenfest brings four stage adaptations of Mary Shelley’s gothic masterpiece.
Bachelorette, Hard Times, and 12 more stage shows to see now
A “ferocious ensemble effort” and a pitch-perfect revival are among this week’s best bets.
There’s madness ahoy in Lookingglass’s Moby Dick
David Catlin’s dazzling aerial-acrobatic production returns.
Report: Judge shot to death outside his home was previously beaten in road-rage incident, and other Chicago news
Also, how the feds built a case against former U.S. House speaker Dennis Hastert.
American Hwangap, Matt Damon Improv, and 12 more stage and comedy shows to see now
A Korean-American family drama and an all-female Annoyance troupe are among this week’s best bets.
Aaron Posner follows up Stupid Fucking Bird with another Chekhov adaptation, Life Sucks
Aaron Posner adapts another Chekhov classic, this time for Lookingglass Theatre.
Lookingglass Theatre’s Thaddeus and Slocum is more vaudeville, less adventure
The cabaret-style show shines in its musical numbers, but suffers in its storytelling.
Lookingglass’s Blood Wedding, Strawdog’s D.O.A., and nine more notable current stage shows
García Lorca gets transplanted to the Dust Bowl, and an off-Loop mainstay goes noir.
Mary Zimmerman hits the decks with the pirate classic Treasure Island
“Sea voyages are in almost every thing I’ve ever done,” Mary Zimmerman acknowledged in an e-mail exchange. The auteur, known for stage realizations of The Odyssey, The Argonauticka, and other watery epics, supposes that the ocean holds a “great romance” for her because she grew up in landlocked Nebraska. Edna St. Vincent Millay’s “Inland” (“What […]