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Posted inTheater Review

C is for confusion

Michael Mejia directs Laura Ruohonen’s 2003 exploration of power, identity, and freedom in Trap Door Theatre’s return to in-person performance. Loosely based on Queen Christina, the 17th-century Swedish monarch who abdicated because she couldn’t rule on her own terms, Queen C pays only cursory lip service to period specificity. The message is spelled out at […]