The best films of the year, according to J.R. Jones and Ben Sachs
Gondry’s adaptation of Boris Vian’s unfilmable novel is much darker in its original-release version than in the 94-minute cut that recently played in Chicago.
Further thoughts on that Fassbinder-style tracking shot in Boyhood
New reviews and notable screenings in this week’s issue
What’s on the Reader‘s Agenda for Sunday, May 11