Posted inMusic

Charles Curtis revisits the first acoustic piece by composer Éliane Radigue at the Art Institute of Chicago

Though her work is often characterized as minimalist, composer Éliane Radigue is a category unto herself. During the 1950s and ’60s, the Paris resident worked as an assistant to the originators of musique concrète, Pierre Schaeffer and Pierre Henry. But the music she composed after leaving their orbit employed long tones obtained from microphone feedback, […]