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The “screenlife” genre has boomed in recent years. From Levan Gabriadze’s Unfriended series, to Aneesh Chaganty’s Searching, and Rob Savage‘s Host, audiences and filmmakers are seeing the value of using our screens to tell engaging stories. Timur Bekmambetov’s stab at screenlife—after producing many of the standout films that shaped the genre—puts its focus on ISIS […]