Back in 1996, the late playwright August Wilson delivered an address at the annual conference for Theatre Communications Group, the national service organization for theaters in the U.S. Entitled “The […]
The new artistic director wants to take ‘amazing feats of storytelling’ into more diverse realms; Rick Bayless wants to give more money to local theaters.
Jason Narducy and Brett Neveu’s portrait of a 1983 teen punk band needs more edge.
The new musical Verböten uses the story of Jason Narducy’s forgotten early-80s band to talk about the power of subculture.
Mark Larson explains how he created his 700-page behemoth.
A moving drama about the AIDS epidemic and an immersive puzzle/play inspired by retro video games are among this week’s best bets.
The House Theatre of Chicago’s fantasy epic The Hammer Trinity is thrilling and thought-provoking—even if you don’t like fantasy.
The House Theatre loses its way with the D&D-style saga The Iron Stag King