Five films that depict people—and cinema—at their best
Tag: Richard Linklater
Movie Tuesday: Superior sequels and remakes
Five films that achieve the rare cinematic feat of improving upon their predecessors.
This week on FilmStruck: Deep in the heart of Texas
FilmStruck finds more than western films deep in the heart of Texas.
Last Flag Flying is Richard Linklater’s latest triumph
The Boyhood director delivers a casually masterful adaptation of Darryl Ponicsan’s 2005 novel.
The 2017 Chicago International Film Festival, reviewed
Watching the watchers at the Chicago International Film Festival
The New York Times’s crackdown on unnamed sources still not going well
The Times prefers not to tell us who said what.
Five movies you should watch tonight instead of the Oscars
And they’re all streaming online!
Columnists continue to come to terms with Boyhood, musicals, and Super Bowl ads
Deep thoughts on reading the Sunday papers
Our favorite movies of 2014
The best films of the year, according to J.R. Jones and Ben Sachs
Chris Ware’s buildings—without their stories
The Art Institute show “The Comic Art and Architecture of Chris Ware” reveals how the cartoonist draws on Chicago’s built environment.
How the influence of existentialist philosophy plays out in Richard Linklater’s filmmaking
Further thoughts on that Fassbinder-style tracking shot in Boyhood
Memories of Rainer Werner Fassbinder in Richard Linklater’s Boyhood
The German playwright and director remains a major influence on the Austin-based independent, as a crucial scene of Boyhood demonstrates.
Film critic Kenneth Turan has more to say about himself than Boyhood
One film critic explains why his opinion is special.
An interview with Richard Linklater and Northwest Chicago Film Society on film programming (part two)
The second part of a conversation between the noted film director and the local repertory film organization
Binging on The Purge, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue