Current musical obsessions of sound artist and performer Andy Slater, DJ Hannah Viti, and Reader listings coordinator Salem Collo-Julin
Tag: Robert Altman
Movie Tuesday: Jazz on film
Both highly collaborative art forms often play on improvisation and the music of chance.
Old Boyfriends is still Joan Tewkesbury’s one and only feature
And now’s your chance to see it.
Movie Tuesday: Hollywood during the late-60s transition
Five films that span the old studio system, the ushering in of innovation, and the road to the 70s
Robert Altman’s Popeye gets the big-screen revival it deserves
The director’s 1980 family musical screens from 35-millimeter at the Music Box on Monday.
Jesse Morgan Young of Baathhaus on why you shouldn’t piss off Peaches
Plus: Actor Alex Grelle on the best songs in Robert Altman’s Nashville, the Reader‘s Kevin Warwick on the best way to listen to nasty noise-rock, and more
Deaf kids tear it up in The Tribe, plus more new reviews and notable screenings
New reviews and notable screenings in this week’s issue
In Maps to the Stars, Hollywood is a living hell
In David Cronenberg’s Maps to the Stars portrays the movie business as a nightmare of outsize egos.
Good old Bill, good old Bob, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue
Whiplash: A jazz movie that has nothing to do with jazz
You’ve heard about Damien Chazelle’s much-praised Whiplash—now here’s the backlash.
A half century of CIFF milestones, from Scorsese’s debut to Lee Daniels’s achievement award
The Reader digs through the Chicago International Film Festival’s archives to assemble a time line covering the fest’s 50 years.
Here’s Robin Williams as Popeye performing ‘I Yam What I Yam’
For today’s 12 O’Clock Track, remembering the late actor with this clip from Robert Altman’s 1980 film
One of the worst movies ever made, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue
The Robert Altman film Altman never wanted you to see
A crew of cinephiles tracked down a rare print of Corn’s-a-Poppin’ and set about restoring Robert Altman’s 1955 musical comedy.
CIMMFest ascendant, and the rest of this week’s screenings
New reviews and notable screenings in this week’s issue