Posted inFilm

Cinema of Possibilities

The extraordinary potential of a cut—that alchemical moment when one image replaces another—has long been recognized by avant-garde filmmakers, from Sergei Eisenstein in the 1920s to Peter Kubelka in the 1960s. In effect combining two different entities into a syncretic whole, a cut can restructure or reinvent reality—Kubelka hoped to replace the everyday with an […]