Posted inTheater Review

Darkness and light

Inspired in part by Oliver Sacks’s 1995 New Yorker essay “To See and Not to See,” Brian Friel’s 1996 play in monologues, Molly Sweeney, shares Sacks’s ability to translate the medical into the metaphysical. It’s also a natural successor to Friel’s 1979 Faith Healer, which also unfolds as three monologues involving two men and one […]