Red Hamlet, Red Theater’s radical revision of Shakespeare, is an exercise in instability.
A few notes on this week’s cover story, “The Last Big Bang.”
Katharina Otto-Bernstein’s documentary provides an excellent introduction to the singular vision of avant-garde stage director Robert Wilson. Its sketchy account of his career permits little insight into his ascent to mainstream venues over the past few decades, which hasn’t always been felicitous (also true of his collaborator Philip Glass). But Otto-Bernstein gives a sharp sense […]