Posted inMusic

Fotocrime and the Austerity Program explore two points on the electronic-music-meets-rock spectrum

On the Jesus Lizard’s 1989 debut EP, Pure, the noise-rock institution were still figuring things out. Working as a trio, the band hadn’t yet discovered their distinctive mutant swing, instead suspending the metallic scrape and twang of their guitars in the flat, mechanical rhythms of a primitive drum machine. But drummer Mac McNeilly joined the […]