“I’m starting to turn into someone else . . . again,” moans Luis Vasquez on “Monster,” from his latest album as the Soft Moon, Exister (Sacred Bones). It’s true that Vasquez, who’d been holed up in Berlin during the pandemic, moved to Joshua Tree to record this effort. But whatever else might’ve changed about him, […]
Tag: Sacred Bones
Plantasia puts down roots at the Garfield Park Conservatory for its third installment
Bridging the ultrasynthetic and hyperorganic, Mort Garson’s album Mother Earth’s Plantasia is a Moog-powered salve “for plants . . . and the people who love them,” as the cover art notes. Since its 1976 release, Plantasia has become cultural canon, attracting reissues of varying legitimacy and providing grist for several exhaustive cultural critiques. After New […]
Marissa Nadler adds a welcome darkness to the scary darkness of the end of days
As the world literally burns, it’s a comfort to see performers we hold dear come back through town to offer musical relief. Singer-songwriter Marissa Nadler debuted in 2004 with the album Ballads of Living and Dying, establishing the template for her delicately ominous, reverb-shrouded fables of loss and mortality. She’s since come out of the […]
On the new W, Boris find serene sounds amid their continuous sonic explorations
As Boris continue to steer in and out of avant-rock territory, the 30-year-old Japanese band increasingly splinter genre ideas and expectations fans might foist upon them. The trio have been prolific during the pandemic, releasing nearly a dozen albums whose variety almost necessitates a disregard for boundaries: they include studio full-lengths, EPs, and live and […]
On Bigger Than Life, darkwave project Black Marble leans into its pop tendencies
With this summer’s Bigger Than Life (Sacred Bones), Black Marble has finally given in and made a pop record. Born in Brooklyn and now based in Los Angeles, this darkwave act began in 2012 as the bleak, gothy duo of Chris Stewart and Ty Kube, but by 2016, when Stewart moved west and released Black […]
Pharmakon makes noise that vomits and bleeds
For New York noise artist Margaret Chardiet, aka Pharmakon, the body is a wet, alien thing that hangs on the self like meat on a butcher’s hook. Her defining album, 2014’s Bestial Burden (Sacred Bones), chronicles a serious illness and hospitalization. It opens with the multitracked sound of her desperate breathing, in a claustrophobic symphony […]
Stephanie Marlow of Indie Publicity on a brutal band with a soft spot for pitties
Current musical obsessions of Stephanie Marlow from Indie Publicity, Jason Gagovski from Sweet Cobra, and Jamie Ludwig from the Reader
Lust for Youth bring their pretty darkwave to town this weekend
On Saturday these synth-loving Copenhagen postpunks stop at the Empty Bottle on their North American tour.
Pharmakon releases her primal scream on ‘Body Betrays Itself’
Today’s 12 O’Clock Track is Pharmakon’s “Body Betrays Itself,” from the upcoming full-length Bestial Burden.
Psychic Ills make a surprise appearance at the Owl tonight
The Owl continues its trend of high-profile secret shows, this time with New York’s Psychic Ills.
Earl Sweatshirt’s humane, heartbreaking Doris and 14 more record reviews
Earl Sweatshirt’s humane, heartbreaking Doris and 14 more record reviews
12 O’Clock Track: David Lynch and Lykke Li team up on “I’m Waiting Here”
A haunting preview from The Big Dream
New releases capture Chilean rock from the present and the past
Recent new releases by Follakzoid and Holydrug Couple and a reissue of Los Vidrios Quebrados spotlight Chilean rock.
12 O’Clock Track: The Men, “Electric”
Brooklyn’s favorite indie darlings the Men drop a new jam.
Jesse Lortz unveils his Case Studies
New music from the guy behind the Dutchess & the Duke