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Garbage indicts social injustices on No Gods No Masters

When Garbage broke out with their self-titled debut album in 1995, their alluring but abrasive sound—dark power-pop melodies topped by Shirley Manson’s alternately growled and whispered vocals—enticed listeners like sweet pink candy with a messy center. Their second album, 1998’s Version 2.0, expands on this recipe of fuzzed-out guitar and distorted vocals with multilayered tracks […]