Reflections on trends in contemporary art house movies, as observed in this year’s Chicago International Film Festival and Doc Films’ ongoing Hou Hsiao-Hsien retrospective
Chicago International Film Festival: Tsai Ming-liang’s latest, Stray Dogs, follows in the tradition of Chaplin and Ozu.
Considering the similarities of three recent art films from Mexico, Turkey, and Israel
Patrick Wang’s In the Family returns for a second run at Facets
How certain recent movies use silence as an artistic device