Sometimes more didactic than dramatically sound, Ella Hickson’s The Writer remains enraging and engaging as it offers a graphic crash course in the perils of playwriting while female. And, for that matter, existing while female. Directed by Georgette Verdin, Steep Theatre’s staging offers a motherlode of stark truths about the intractable, insidious reach of the most […]
Tag: Steep Theatre
Redtwist names new artistic director
This has been a year of tremendous changes at the top for Chicago theaters, with Susan V. Booth taking over at the Goodman after Bob Falls’s 35 years as artistic director and Braden Abraham, formerly the artistic director for Seattle Rep, poised to take over as AD at Glencoe’s Writers Theatre in February. Cody Estle, […]
Miami death trip
Teenagers tend to be reckless, sure, but few would gather in a spooky tree house to summon the spirit of Colombian drug cartel leader Pablo Escobar. But then, most aren’t as hardcore—or foolhardy—as the members of the Dead Leaders Club, a group of private school girls in Miami who dabble with supernatural forces in Our […]
Marissa Lynn Ford takes the wheel at the League of Chicago Theatres
Amid the tidal wave of turnovers at theaters large and small in Chicago the last two years, we also learned this past February that Deb Clapp, the longtime executive director for the League of Chicago Theatres, was stepping away from her job in June. Last week, the League announced her successor: Marissa Lynn Ford, recently […]
Dimming of the day
“When people die, they move from the first person to the third person. They also move from the present tense to the past tense.” These words are spoken by Christine (Kendra Thulin), who opens Simon Stephens’s Light Falls, directed by Robin Witt, by narrating her own death—sudden, solitary, and mundane in a liquor store in […]
Big-box blues
On the wall of the big-box retail warehouse that forms the setting for Eboni Booth’s Paris, now in a midwest premiere at Steep Theatre under Jonathan Berry’s direction, there’s a sign reading: NOBODY CARES. WORK HARDER. It’s a stark enunciation of the realities of late-stage capitalism and consumerism. Paris Through 7/23: Thu-Sat 7:30 PM, Sun […]
Steep plans a big move—just down the street
In summer of 2020, Steep Theatre announced that they were losing their longtime Berwyn Avenue home (just next to the Red Line stop). The landlord was selling the building, which contained both the flexible-seating 60-seat black box theater and the adjoining Boxcar bar and performance lounge that Steep opened in 2018. At the time, Steep […]
The Chimes and I Hate It Here ring out a horrible year
Charles Dickens and Ike Holter are unlikely twin spirit guides in two online shows.
Steep Theatre searches for a new home
The company’s leadership discusses how to create community in times of COVID.
The Leopard Play, or Sad Songs for Lost Boys examines a fractured Mexican American family
Isaac Gomez’s world premiere at Steep takes us over the border of trauma and truth.
Two sisters clash over the limits of faith in science in Mosquitoes
Lucy Kirkwood’s drama has bite in Steep Theatre’s U.S. premiere.
Dystopian horror hides in the creepy undergrowth of Pomona
Alistair McDowall’s thriller at Steep plants seeds of money, violence, sex, death . . . and Dungeons and Dragons.
First Love is the Revolution examines the brutal nature of humans and other animals
In Rita Kalnejais’s modern fable, parents pass on their prejudices to their children.
In Red Rex, Ike Holter’s Chicago Cycle gets meta
A play about a storefront theater playing in a storefront theater
Steep Theatre strips Amelia Roper’s Zürich of all its humor
All that’s left of the angry satire is punishment.