If you were concerned that Chicago’s storefront theaters lost their mojo during the pandemic, get thee to Terry McCabe’s gripping production of The Birthday Party by Harold Pinter. It’s a meta-accomplishment: not a false note in this version of a play that’s entirely about false notes. Pinter’s breakthrough piece (albeit a flop at the time), […]
Tag: Terry McCabe
Villainy and vindication
Every superhero saga needs a villain, and Mark Pracht’s new play The Mark of Kane—an origin story for the comic-book character Batman—provides one in the figure of Bob Kane. In Pracht’s account, Kane was an ambitious freelance illustrator who, in 1939, came up with the concept of a crime-fighting vigilante who could fly with the […]
Blame it on Kane
I first met Batman battling villains from the Hall of Justice with the other Super Friends, part of the Saturday morning cartoon lineup of the 1970s, and soon afterward I caught the campy reruns of the 1960s live-action TV show. This led me to scour my brother Aaron’s Bronze Age collection of DC Comics, the […]
Cool Kids vs. Normies
If you didn’t know that Noël Coward was an actor as well as a playwright, you’d figure it out within minutes of seeing any of his plays: how else to account for the nearly limitless opportunities they provide for chewing the scenery? Entering fully into the Cowardly spirit, director Terry McCabe frees his Hay Fever […]
Special needs
Kristine Thatcher’s drama about a couple adopting (or not adopting, as it turns out) a child born with profound disabilities kickstarted Thatcher’s profile as a playwright in its 1996 Victory Gardens premiere. It’s back at City Lit, once again under Terry McCabe’s direction. And while some parts don’t hold up well, the production builds to […]
City Lit stages the OG of Westerns
City Lit’s original stage adaptation of Owen Wister’s 1902 novel The Virginian focuses on the experience of two easterners adjusting to the rough-and-ready way of life in pre-statehood Wyoming in the 1880s. One is “The Virginian” (he has no other name), the foreman on a ranch owned by a wealthy cattle baron. The other is […]
Barbara Jordan’s story takes center stage in Voice of Good Hope
City Lit’s docudrama captures some of the “moral muck” facing the south’s first Black Congresswoman.
How Jim Shiflett built the church of off-Loop theater
The founder of Body Politic died in December, but the seeds he planted 50 years ago played an immeasurable role in the growth of Chicago’s small theater scene.
The Hound of the Baskervilles gets a faithful and atmospheric staging
Terry McCabe’s adaptation for City Lit is minimalist but effective.
City Lit presents not one, but Two Days in Court
The Devil and Daniel Webster and Trial by Jury make up the musical doubleheader.
At 400 years old, Fuente Ovejuna shows its age
The Spanish baroque drama proves difficult to modernize.
Prometheus Bound remains inert
The eponymous Prometheus is seen not so much as standing for anything as he is standing, basta.
Bette Davis Ain’t for Sissies, Jacques Brel’s Lonesome Losers . . . , and nine more new stage shows
A one-woman show to buckle up for and an intimate, retro revue are among this week’s best bets.
The Bardy Bunch, The Last Wife, A Walk in the Woods, and ten more new stage shows
A mashup of Shakespeare with The Partridge Family and The Brady Bunch is one of this week’s high- (or maybe lowlights).
Congo Square’s A Small Oak Tree Runs Red, Black Ensemble’s The Marvin Gaye Story, and ten more new theater reviews
Two African-American companies present revelatory dramas.