Hello, Dolly! is not revived that often. It only feels that way, because Jerry Herman’s score (book by Michael Stewart, based on Thornton Wilder’s play The Matchmaker) is so infectious […]
A “ferocious ensemble effort” and a pitch-perfect revival are among this week’s best bets.
Three Thornton Wilder one-acts and Annoyance’s long-running slasher parody are among this week’s best bets.
But Thornton Wilder’s classic play taps into the greatest equalizer of them all.
García Lorca gets transplanted to the Dust Bowl, and an off-Loop mainstay goes noir.
In the epic At Berkeley, Frederick Wiseman turns his lens on higher education in the age of George W. Bush.
Smokefall, Noah Haidle’s new play, goes beyond cute all the way to a vision.
New reviews and notable screenings in this week’s issue
The Skin of Our Teeth at the Artistic Home: Thornton Wilder’s vintage take on the eternal quandaries