I’ve always been ambivalent about the use of land acknowledgements in the arts sector, but as I am not of Indigenous descent, I can’t speak for Indigenous opinions on the matter. At the world premiere of King James at Steppenwolf, the audience was treated to not only a land acknowledgement, but also to what I […]
Tag: Todd Rosenthal
An Iliad returns in a stunning new setting
Court Theatre’s revival puts us in the center of ancient artifacts and contemporary conundrums.
The current Goodman production demonstrates How to Catch Creation
Christina Anderson’s play is a triumph for director Niegel Smith and his cast.
Chicago Shakespeare’s midwinter Midsummer Night’s Dream is the most impressive cotton candy you’ll ingest this month
It looks great, but it’s about as substantial as fairy dust.
There are too many puppets in 20,000 Leagues Under the Seas and not enough action
If the narrated sections are so important, why don’t we get see them?
Robert Falls gives the Goodman’s Uncle Vanya all the clarity of his years
Chekhov’s masterwork gets a master staging.
A washed-up pawnbroker destroys the life of a young girl in TUTA’s Gentle
Zeljko Djukic adapts and directs a bleak story by Dostoevsky.
The Goodman’s Wonderful Town is something less than wonderful
But Leonard Bernstein’s score and lead Bri Sudia soar in a revival of the 1953 musical directed by Mary Zimmerman.
The Steppenwolf stage is alive for The Night Alive
Conor McPherson’s play The Night Alive may not be great, but it’s superb in its goodness.
M. Butterfly is a drag all-around
Court Theatre’s M. Butterfly gives us even more reason to dislike this Tony-winning play.
Everymotherfucker: The Motherfucker With the Hat is about all of us
Steppenwolf Theatre stages Stephen Adly Guirgis’s The Motherfucker With the Hat
Getting to the meat of Three Sisters
A new adaptation of Three Sisters, written by Tracy Letts and directed by Anna Shapiro
Steppenwolf Shows Off Scene Shop
Steppenwolf Theatre’s fundraiser takes supporters “Behind the Curtain.”