Originally broadcast on French TV in 1986, it’s having a rare Chicago screening at the Siskel Center.
The multimedia ensemble’s latest production is a beautiful and transfixing examination of the effects of the industrial age.
Five movies remind us that filmmakers have always been fascinated with the box in the living room
Nell Scovell brings her fight to change the entertainment industry to Chicago next week.
Survive’s retro horror-synth score for Stranger Things means they benefit from Pitchfork’s courtship of the prestige-television audience.
The short-lived 1980s police drama was created by Michael Mann and shot largely in Chicago.
Submissions for the 2016-2017 festival season open on November 1.
Orange Is the New Black returns with a fourth season that fails its feminist sensibilities.
ESPN’s O.J.: Made In America is about so much more than just O.J. Simpson.
Bill Burr delivers his raunchy take on life in a lower-middle class family during the 1970s in his new animated Netflix series.
A lot of things are wrong with season two—but two things really stand out.
We didn’t watch it all—but here’s the best of what we did watch.
Acclaimed documentary filmmaker Steve James discusses his life in the Chicago suburbs and his new film on Roger Ebert, Life Itself.
Also, did anyone else think Lily and Marshall were smug jerks?
Emily Mortimer and Dolly Wells play themselves (sort of) on their new show.