Posted inNews & Politics

The Good Book Salesman

“Bibles. Bibles for sale,” the young, bearded man announced as the Jackson Park B train pulled out of the tunnel south of Roosevelt. “I’ve got Bibles here. Bibles for sale. All sizes, all shapes. Bibles.” A seasoned rider, he paused in the aisle as the train jerked, not even grabbing for a handhold, then repeated, […]

Posted inNews & Politics

Those Gangs: How Dare They!

To the editors: It’s a good thing Roberto Rivera is no longer with Chicago Intervention Network if he believes that [although] “the city will never be able officially to recognize groups as groups to bargain with . . . a community organization could recognize a gang’s “turf’ and strike a deal based on that.” It’s […]

Posted inArts & Culture

Charleen

Fans of Ross McElwee’s Sherman’s March (1985) will undoubtedly recall the character Charleen Swansea, the filmmaker’s friend and former teacher, and will be pleased to discover that McElwee devoted an entire feature to this memorable woman back in 1977. An unorthodox fifth-grade teacher, small publisher, and poet who at one point was a protege of […]

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Dancing to the New Music

DANCING TO THE NEW MUSIC at MoMing Dance & Arts Center April 15-16, 1988 In its most potent form, a collaboration between composer and choreographer infuses a work with a double charge. Such joint ventures have produced some of the richest ballet and modern dance works of all time. The Marius Petipa-Pyotr Tchaikovsky union begat […]

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Losing Control

THE MAGIC OF KATHERINE DUNHAM Alvin Ailey American Dance Theater at the Auditorium Theatre April 13-15, 1988 An evening spent with Katherine Dunham–whose works the Alvin Ailey troupe revived this season–is vibrant, boisterously theatrical, and subtly disturbing. We can’t see with the fresh eyes of 40 or 50 years ago (these dances were first choreographed […]

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Not For Real

NOT FOR REAL Organic Theater As I watched Leonard Pitt begin his one-man show, Not For Real, I thought, it’s true, anyone can be a performance artist. All you have to do is assemble some odd and arbitrary actions, put them in front of an audience, and presto! Performance art! I might defend that assertion […]

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Feiffer’s America

FEIFFER’S AMERICA Northlight Theatre Anyone setting out to adapt the work of cartoonist Jules Feiffer to a live theatrical format faces several problems right off the bat. First, there’s the obvious fact that no live actor could ever capture the unique visual vitality of Feiffer’s inimitable drawings; even cartoon animation would fall short. The strength […]

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The Ties That Hide

PASSING ON Blue Rider Theater For the past few weeks I’ve been on a death watch as a close relative fades away, and the experience has reminded me once again that death is seldom a private affair. Family members and friends gathered around the dying person react like an organism in distress. First there’s the […]

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On Stage: French farce in a paisley shirt

Madness, impotence, adultery, prostitution, alcoholism, and sadomasochism are all ingredients for a light comedy in the hands of Georges Feydeau. Writing for the bourgeoisie in turn-of-the-century Paris, Feydeau (1862-1921) served up dizzyingly funny bedroom farces that teased his audiences while ultimately reassuring them. In his 1907 La puce a l’oreille–known in English as A Flea […]