Forget the turf wars and jealous fueds–Michael Lyons Wier says the art business is changing! He’s persuaded 12 other dealers to lend their artists for a show at his new gallery in River North.
Tag: Vol. 23 No. 8
Issue of Dec. 2 – 8, 1993
The Road to Mecca/Scene of Shipwreck
THE ROAD TO MECCA Shattered Globe Theatre at the Royal George Theatre Center Gallery SCENE OF SHIPWRECK Raven Theatre Athol Fugard’s Miss Helen may well be one of the most beautiful female characters in 20th-century theater. Never mind that the playwright realized only late in the game that he’d written a self-portrait, not a biography […]
The City File
Knives aren’t enough? From the Chicago-based newsletter the Rational American (November): “Real feminists–women who don’t whine about oppression, but do something about it–are active in the NRA…” Don’t lobby for kids, lobby for social change, urges Robert Halpern of the Erikson Institute on North Wabash (Erikson, Winter). “Building a reform agenda primarily on children’s issues […]
Curve
Toni Halliday is a dance-floor succubus, the Morticia Addams of England’s recent crop of gossamer-voiced pop sirens. Seductive, haunting, and midnight-at-the-graveyard dark, her vocals convey terse accounts of romantic carnage (in “Men Are From Mars, Women Are From Venus,” she announces, “We won’t be happy ’til we kill each other”). In these ominous tales love […]
The ten-year war: How consumers’ groups beat Commonwealth Edison
It’s hard to feel too sorry for Commonwealth Edison, the $6 billion monopoly to which we have no choice but to pay our electricity bills each month. And yet a twinge of empathy might have materialized at the sight of Edison chairman James O’Connor and other company honchos stiffly standing at a press conference with […]
Chicago Symphony Orchestra
British-born composer Bernard Rands started out studying in Italy with modernists Luigi Dallapiccola, Bruno Maderna, and Luciano Berio, then moved westward as his academic career took him to London, New York, Princeton, and San Diego. His musical disposition has also shifted over the years, from the continental avant-garde to electronic music to colorful neoexpressionism. Arguably […]
F for Fake
The first of Orson Welles’s two essay films to be completed and released (the lesser-known 1979 Filming “Othello” was the second), this breezy, low-budget 1973 montage–put together from discarded documentary footage by Francois Reichenbach as well as new material filmed by Welles–forms a kind of dialectic with Welles’s never-completed It’s All True; as Welles himself […]
The Cult of Eternal Childhood
PETER PAN Center Theater “All children, except one, grow up,” goes the opening line of Peter and Wendy, James M. Barrie’s 1911 novelization of his 1904 play Peter Pan. The sentence has the rhythm of religious incantation, of a response to a prayer. Certainly the cult of Eternal Childhood has a long history–and it’s never […]
The Fluxus Manifesto
IN THE SPIRIT OF FLUXUS at the Museum of Contemporary Art, through January 16 FLUXUS: A CONCEPTUAL COUNTRY at the Mary and Leigh Block Gallery, Northwestern University, through December 5 Five years ago there was a conference commemorating the 20th anniversary of the protests at the 1968 Democratic Convention in Chicago. The original leaders were […]
Pocket Opera Company
John Eaton is generally considered one of the most original composers writing opera today. Now he’s taken another bold step–setting up a small music-theater outfit that counters the pretensions and snob appeal of grand opera. With his traveling band of troubadors, the Pocket Opera Company, this University of Chicago prof hopes to reach out to […]
Department of Corrections
To the editors: Many thanks for the story in today’s issue [“Chi Lives: the travels of Bob Katzman, bookseller,” November 19]. It was well written and colorful. There was one error that the public wouldn’t catch but my family would: My grandmother, 91, mentioned in the article, did not lose any brothers or sisters to […]
Fluxus Under Glass
LEWD FOOD FLUXUS BANQUET at the Arts Club, November 16 The offerings were divine at the Lewd Food Fluxus Banquet, the service impeccable, the timing perfect, and the company charming. And that, in essence, was what was wrong with it. Lewd Food, part of the Fluxus extravaganza taking place in town, seemed a weird, almost […]
Love
In the mid 60s, when Elektra Records was looking to break into the newly lucrative rock music scene, it pinned its hopes on two LA-based outfits: the Doors and Love. Love, led by the gifted, acid-gobbling Arthur Lee, was considered the more talented of the two, but “Light My Fire” made the Doors stars while […]