Local filmmaker Scott Taradash tells the engrossing story of Chicago bluesman David “Honeyboy” Edwards, who was born in 1915 in the Mississippi Delta, jammed with Robert Johnson as a young man, came to Chicago in 1953, and still remembers the earliest days of the blues. “He never inflates his importance,” notes Alligator Records president Bruce […]
On the main floor of the Museum of Science and Industry, directly under the Boeing 727 and around the corner from the chick hatchery, Chicago’s skyscrapers soar above the shores of Lake Michigan as multiple trains carry commuters, haul coal and corn, and weave their way across the continent from Chicago to Seattle and back […]
VULGAR BOATMEN 1/3, SCHUBAS Now based in Indianapolis, this long-running indie cult band (members of which went on to form the Silos, the Mary Janes, the Gentle Readers, and the Mysteries of Life) exists largely in theory. But several times a year its members get together to play their bittersweet crunchy twang for a crowd […]
From Cuba to Chicago–It’s Not So Far In 1994 Castro relaxed the police vigil along Cuba’s northern shore, and some 30,000 balseros, or “raft people,” took to the seas. Many would die there. On a pitch-black night in mid-August, Jorge Luis Mota, then 32, was one of 15 Cubans riding out a storm in an […]
The Hunt for Red Willie, Irish Repertory, at Victory Gardens Theater. This should have been a programming hit. Irish Repertory, recovering from recent financial troubles, scored the U.S. premiere of Ken Bourke’s Irish melodrama spoof, which has proved a popular holiday show at Dublin’s acclaimed Abbey Theatre. But all the things that have earned Irish […]
The movies of 2002 were full of recycled ideas. Jonathan Rosenbaum’s best-of list nominates those that dared to be original.
New York MC J-Live caught a good break in 1995, when the hip-hop magazine The Source singled him out for its Unsigned Hype column. A couple of independent singles the following year bolstered his rep and eventually won him a contract with Payday/London. But his debut album, The Best Part, which was supposed to drop […]
Now that we’re gearing up for some kind of war, the propaganda that fueled national sentiment during World War II has new resonance. World War II Posters: The Social Influences of Wartime Information, on view through January 26 at the Elmhurst Historical Museum, offers a look at 32 posters on loan from the Oklahoma Museum […]
Charles LaBelle has always had an uncanny ability to see beauty in the urban morass. His show at Bodybuilder and Sportsman starts with five photographic images called “White Nights,” translucent prints mounted on light boxes that look like glowing black-and-white negatives. The three standouts capture the unseen essence of cheap motels. In Ambassador Hotel the […]
How Benigni’s Pinocchio wound up as one of the year’s worst.
So Mike Preston thinks his book Stop Talking Now! is “the world’s first openly hostile self-help book” [Calendar, December 20]? In 1993 James Hillman and Michael Ventura published We’ve Had a Hundred Years of Therapy and the World’s Getting Worse. You think social work is part of the problem? Awww, I’ve heard it all before. […]
Of the $50 million in political contributions from business, labor, professional, and issue interests to state candidates in 1999- 2000, $11 million came from the 20 largest contributors, according to the Illinois Campaign for Political Reform’s “Sunshine Database” (http://ilcampaign.org/top20). The Illinois Education Association ($1.4 million) and the Illinois State Medical Society ($1 million) were the […]
From Jonathan Rosenbaum’s Chicago review [Movies, Section Two, December 27]: “The story here started out as Roxie Hart, a cynical, satirical 1942 William Wellman comedy set in the 20s and inspired by The Front Page (though written by Nunnally Johnson). It reappeared as a stage play by Maurine Dallas Watkins, then as a stage musical […]
JANUARY 3 FRIDAY Chicago artist Sandra Perlow’s paintings look like they’ve swung down a fairly straight path that started with 1950s abstract art. Her colorful quasiorganic shapes dance into patterns that remind critic John Brunetti of wallpaper or drapery designs, though they don’t look like anything that’s appeared on a wall or window since about […]