Redmoon thinks small in Frank Maugeri’s toy-theater show: tiny cardboard cutouts “perform” on cunning cardboard sets. The videotaped and projected action has immense visual impact, but the look is familiar; Terry Gilliam was doing much the same decades ago. And Joe Meno’s story, about a little girl who rescues a city’s stolen birds, is simplistic […]
Tag: Vol. 36 No. 21
Issue of Feb. 15 – 21, 2007
Oklahoma!
This intimate, vigorous revival of the iconic 1943 musical sweeps away all vestiges of Broadway spectacle or dinner-theater cuteness, revealing the gritty subtext of the romantic, comical, sometimes violent tale of cowboys courting farm girls in territorial Oklahoma. The cast, led by director Damon Kiely and musical director Malcolm Ruhl, compensate for their occasional vocal […]
Yip-Yip
With their stacks of synths, buggy goggles, and black-and-white checkered hoods and pajamas, these two Florida nerds look like yet another gimmicky concept band. Fortunately they don’t have a kooky agenda or implausible backstory we’re supposed to buy into–they’re just here to rock our party and wear goggles while they do it. It’d be easy […]
The Teapot Scandals
The centerpiece of Jon Steinhagen’s sparkling new musical is a dim-bulb Republican president from Ohio with a penchant for cronyism and corruption–we’re talking Warren G. Harding, of course. Steinhagen’s take on the 29th president is surprisingly compassionate, though his sly satirical revue, receiving its world premiere from Porchlight Music Theatre, shouldn’t be taken as historical […]
The Seldoms
Choreographer Carrie Hanson became fascinated by the concept of darkness while reading In Praise of Shadows, Jun’ichiro Tanizaki’s slim 1933 volume on Japanese aesthetics (one tidbit: it was once customary for elderly women to black out their teeth). The Seldoms’ program–a collaboration with the International Contemporary Ensemble, a music group based in Chicago and New […]
Landscape of the Body
Crowded into a performing space smaller than many living rooms, John Mossman’s pressure-cooker production is well suited to John Guare’s eccentric, overheated drama about a Maine housewife turned Times Square porn star accused of killing her son. Filled with intense performances and executed at a pace that unifies Guare’s intentionally jagged storytelling, this staging reveals […]
Czech Modernism in Film: The 1920s to the 1940s
Drawn from the Anthology Film Archive in New York and the National Film Archive in Prague, this series examines modernism in Czech films from the silent to the postwar era. A dozen features screen at Facets Cinematheque through Thursday, February 22; for a complete schedule visit www.facets.org. RCrisis This 1939 documentary about Hitler’s invasion of […]
Toy Soldiers
J. Sebastian Fabal’s song cycle opens with a requiem featuring a mother dressed in black and cradling a flag from a military funeral. Suspense is patently not the composer-playwright’s intent. Though he’s purportedly addressing the current war in the Middle East, the scenario seems closer to the Vietnam era, from protesters’ outdated slogans to soldiers’ […]
The Straight Dope
I caught a segment on some car show about modding up your car. One of the things they mentioned was the benefit of filling your tires with nitrogen instead of air. Considering I fill my tires with air and don’t have much of a problem constantly refilling them, what is the straight dope on nitrogen […]
Jean-Yves Thibaudet
Last month Jean-Yves Thibaudet was one of the headliners at the Cartagena International Music Festival, offering an outstanding performance of Saint-Saens’s Second Piano Concerto. He gave the dramatic Bach-like opening a bold, rich sound and played the first movement’s lyrical passages soulfully, the virtuosic sections with bravura. And though the piano had a stiff, difficult […]
Sharp Darts: A Gift Horse
Daytrotter.com records top-shelf indie bands live in the studio–and gives away the MP3s for free.
Computers and Chaos
Anna Ursyn WHEN Through 2/24 WHERE Illinois Institute of Technology, Galvin Library, 35 W. 33rd, 2nd fl. INFO 312-567-5293 Anna Ursyn’s prints at the Illinois Institute of Technology–which incorporate photographic fragments and computer-generated geometrical shapes–have a complexity and suppleness unusual in computer graphics. Ursyn often repeats elements, sometimes with variations, to convey a sense of […]