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Armed with a new singer, tech-metal titans Gigan return with an evocative new album

Giant monster name, giant monster band. It’s been four years since Chicago transplants Gigan released their mind-melting Multi-Dimensional Fractal Sorcery and Super Science—a title that accurately describes the album’s apocalyptic technical-death and space-rock-on-steroids sounds. With their brand-new Undulating Waves of Rainbotic Iridescence (Willowtip), they hone their whirling sonic blades until they cut through bone. Like […]

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The hard-hitting Norwegian freebop quartet evokes the full range of jazz history in their music, but their vital energy and enthusiasm is all about the present

The fiery Norwegian quartet Cortex pull no punches with their new album, barreling through eight new tunes without a wasted gesture—although its title, Avant-Garde Party Music (Clean Feed), suggests they’re not above laughing at themselves a bit. With five albums to their credit, trumpeter Thomas Johansson—who composed all of the typically pithy material on the […]

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New York reedist and sound artist Lea Bertucci explores the acoustic properties of physical spaces

I first encountered Lea Bertucci’s music when she was playing bass clarinet on the 2014 album L’Onde Souterraine (Telegraph Harp), a series of visceral yet meditative duet improvisations with cellist Leila Bordreuil. The music she’s released since then has revealed a broad and fascinating artistic practice often focused on the acoustics of specific spaces. “Cepheid […]

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On its first album in six years Fleet Foxes reclaim the grandeur of their harmony singing if not the perfection of Robin Pecknold’s songwriting

In the six years between this summer, when Fleet Foxes dropped its third studio album, Crack-Up (Nonesuch), and its 2011 predecessor, Helplessness Blues (Sub Pop), the band seems to have been blamed for the trend of countless lamentable rock bands that present monochromatic gang shouting as some kind of campfire-grade profundity (does anyone even remember […]