FOR IMMEDIATE RELEASE Wed., Oct 9, 2019 Press contact: Kristen Kaza Chicago Reader Director of Public Engagement kkaza@chicagoreader.com Yes We Cann: Cannabis market and symposium The Reader, MOCA & Emporium’s joint effort takes place October 19 at Emporium Logan CHICAGO – The Chicago Reader, MOCA modern cannabis dispensary, and Emporium Arcade Bar have joined together […]
Tag: Vol. 48 No. 51
Issue of Sep. 26 – Oct. 2, 2019
Dim sum and win some at Lincoln Park’s D Cuisine
Yum cha is fine at this rare tearoom outside of Chinatown, but it’s the Guangdong chef specials that are really worth investigating.
Rick Alverson’s The Mountain is a fascinating yet frustrating mood piece
But if you get on this film’s wavelength, you just might find it trancelike.
The Herguth files
A Sun-Times reporter gathers the FBI’s files on the famous and infamous.
Piecing together the story of midwest punk’s great lost talent
Before he died at 24, Peter Laughner cofounded Rocket From the Tombs and Pere Ubu. Had he lived, he could’ve rivaled Patti Smith or Richard Hell—and a new box set shows why.
Keeping the beat
Chicago’s beat scene has to do without the attention the city’s rappers get, but it’s a vital incubator for adventurous, ambitious instrumental hip-hop.
Pakalolo Sweet has a mellow vibe, but the narrative goes up in smoke
Hannah Ii-Epstein’s second play in a trilogy about the Hawaiian drug trade dances around the issue of mental illness.
The Color Purple fills Drury Lane’s stage with triple threats
Lili-Anne Brown’s staging of the musical based on Alice Walker’s classic novel brings down the house.
In The Delicate Tears of the Waning Moon, a journalist tries to recover her memory
Water People Theater’s contribution to Destinos is sobering but poetic.
Wilfredo Rivera explores his journey from Honduras to Chicago and other migrant stories in American Catracho
At 20, Cerqua Rivera Dance Theatre celebrates immigrant, Native, and African American identity in two programs of new work.
9,008 days
In 2016, more than 2,000 adults who were sent as kids to die in prison were given a second chance. Marshan Allen was one of them.
The King’s Speech on stage doesn’t improve upon the film.
Chicago Shakespeare’s production is pretty and witty, but lacks dramatic tension.
Four young dancers talk about their journey to the Joffrey
The newest company members have international roots but a common passion for the art.
August Wilson’s King Hedley II shows the ravages of the 1980s
Ron OJ Parson’s production for Court Theatre hits with torrential force.
Struggling on God’s rules
In Chicago author Goldie Goldbloom’s On Division, a devout 57-year-old Jewish mother works to reconcile her faith with her Hasidic community’s cruelty to her late son.